While The Current War may have been released in late 2019, back in 2017 we had the opportunity to provide vfx for a handful of shots in partnership with Boundary VFX. Our work consisted of removal of camera and lighting rigs, clean-up and removal of modernisations to practical locations, and enhancements to props like the lightbulb presented by Tom Holland in the third image.
If it wasn't exciting enough to work, for a second time, with director Jake Nava, it was a huge honor to create vfx for Beyoncé's song Spirit from Disney's The Lion King (2019). Our work consisted of projecting footage from the film onto live-action desert plates, creating day-for-night looks, set extensions, and clean-up.
For Legend (2015), working again with Boundary VFX, ASOR provided visual effects and clean-up for three of the film's sequences.
We had the pleasure of working, once again, with Boundary Visual Effects on the final fight sequence in 2015's Kingsman: The Secret Service. Our work consisted of head removal, gore enhancement, and digital clean-up.
Pride (2014) takes place in snowy England, circa 1984. Unfortunately, during production, there was little to no actual snow on the ground, so Boundary Visual Effects asked us to help add snow and ice to various scenes throughout the film, as well as replace some sky elements.
